[2], The West End production opened on March 6, 1986 at the Globe Theatre, where it ran for ten months, closing on January 10, 1987. Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!" The play, originally titled Opera Buffa, had been produced at a summer theater, American Stage Festival, Milford, NH, in 1985. History. A sensation on Broadway and in Londons West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. This article is about the play. The cast included Philip Bosco (Saunders), Victor Garber (Max), Ron Holgate, Tovah Feldshuh (Maria), Caroline Lagerfelt (Diana), Jane Connell (Julia), J. Smith-Cameron (Maggie) and Jeff Brooks (Bellhop).[5][6]. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. Now two clowns are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo. At that moment, the handsome, charismatic and heavily accented "Il Stupendo" makes a dramatic entrance with his equally dramatic, hot-tempered wife, Maria. Auditioners for the roles of Max, Tito and Bellhop will be asked to sing from music sides. Frantic and on the run from the police, Tito is even more confused when other characters in the play show up to congratulate him on his "magnificent performance" as Othello. "Then there is the singing. Saunders tells Max to quickly change out of his Othello costume and makeup, while he goes downstairs to handle the police. Michael Kraklio, director. It starts spinning early in the show and just never stops. By the time we reach the endwellits not over. ** Please note that the ages listed are not set in stone. Gender: Female. Victor Carr, as the tyrannical Saunders, manages to pace his perpetual hysteria without peaking prematurely. MAX, his assistant, suggests that the performance go on as scheduled, with the understudy playing the starring role instead. . New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. version of LEND ME A TENOR in London, the opera was switched to Pagliacci with Ken Ludwig's permission . Use the understudy? Gain full access to show guides, character breakdowns, auditions, monologues and more! As Scene I of the play opens, Henry Saunders, general manager of the Cleveland Grand Opera Company, is anxiously awaiting the arrival of Tito Merelli, a world-famous Italian opera tenor, known as "Il Stupendo" to his many fans. These eight characters are insane (every one of them!) Host virtual events and webinars to increase engagement and generate leads. A center "stage wall" divides the two rooms, with a door leading from one room to the other. "- Desert News, "One of the funniest comedies ever written. Also there is Maggie Saunders, Henry's daughter and Max's sometime girlfriend. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. Casting "Lend Me a Tenor." Note: All actors must be first-rate farceurs with excellent verbal skills. College/University, Community Theatre, Professional Theatre, Regional Theatre, Small Cast, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. "Cafe Theatre" will feature either three one-act plays or two one-act plays and a monologue. It will be a disaster for the Cleveland opera, and for Saunders himself. A musical adaptation was presented in May 2006 as a staged reading as part of the Utah Shakespearean Festival's New American Playwright Project, in Cedar City, Utah, followed by rewrites and a production as part of USF's Summer 2007 repertory season, which received rave reviews. Take a look at our Possum Point Players, Tech Crew at Tony Shalhoub as Saunders and Brooke Adams as Julia in Lend Me a Tenor. The eight-member cast had to learn lines quickly to free their hands and bodies for the physical comedy and synchronized timing that is typified by the hilarious dual love scene. The play was produced on both the West End(1986) and Broadway(1989). Monologue from Lend Me a Tenor - YouTube Leigh Anne Hamlin performs one of Maggie's monologues from the play "Lend Me a Tenor" by Ken Ludwig. The winner of two Tony Awards and four Drama Desk Awards has. By the time we reach the endwellits not over. A sellout crowd and the members of the Cleveland Opera Guild will be at the opera house that evening to see the great Merelli. Join StageAgent today and unlock amazing theatre resources and opportunities. CCP decided two years ago to limit its annual lineup to light comedy. Information: 381-4864. "From Midsummer I'd look at Oberon's monologue from Act II, Scene 1, "My gentle Puck, come hither" or from Act IV, Scene 1, Nick Bottom's monologue that begins, "I have had a most rare vision"From As you Like It, Act II, Scene 1, there's the Duke's speech that begins, "Now, my co-mates and brothers in exile"And of course, everyone's favorite, "Our revels now are ended" from the Tempest, Act IV, Scene 1.If you're looking specifically for tragedy, you might look at Hamlet or Macbeth. Directed by Stanley Tucci, the cast starred Anthony LaPaglia (Tito Merelli), Jay Klaitz (Frank the Bellhop), Justin Bartha (Max), Jan Maxwell (Maria), Mary Catherine Garrison (Maggie), Jennifer Laura Thompson (Diana), and husband and wife couple Tony Shalhoub (Saunders) and Brooke Adams (Julia). Maggie, who is her unsure of her feelings for the suave-less Max, whom she has dated for years, tries to get her hands on the hot-blooded Il Stupendo by hiding in his bedroom closet. The star arrives late and, through a hilarious series of mishaps, is given a . Saunders' harried assistant, Max, is also in the hotel suite. Our 700-plus members include theatre owners and operators, producers, presenters, and general managers in North American cities, as well as suppliers of goods and services to the commercial theatre industry. We will place the best person for those roles, whether they sing or not. Leigh Anne Hamlin performs one of. Sign up today to unlock amazing theatre resources and opportunities. [9] The musical opened in London's West End in June 2011, directed by Ian Talbot and choreographed by Randy Skinner. His pulse is so low that Saunders and his assistant Max believe hes dead. Gain full access to show guides, character breakdowns, auditions, monologues and more! Lend Me a Tenoris a comedyby Ken Ludwig. From Leading Ladies, I'd suggest Doc Meyer's monologue at the beginning of the Act I, Scene 2 (page 11-12 of the Samuel French edition);3. A Broadway revival opened in 2010. "[1] The English director David Gilmore read it and asked to direct; Andrew Lloyd Webber was the producer. It was directed by Larry Carpenter. "The play is pure entertainment," said director Kathy Turyn Romaine, who is also a CCP officer. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986. Jillian Vitko. Max manages to calm Tito down, and takes the singer into the bedroom, where Tito lies down on the bed for a rest. However, Saunders comes up with a plan. Seeking 2 Actor Team for Spring New York, NY, Linda Ray Thanks so much for writing and all the best for your future in acting!Regards,KenFrom Ken Ludwig's Lend Me A Tenor, Act I, Scene 2:SAUNDERS has just discovered that world-famous opera star, Tito Merell, whom patrons of Cleveland Grand Opera have paid large sums of money see perform the role of Otello that evening, is either unconscious or . Throw in Diana, an ambitious, female co-star; Maggie, Max's giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Tito's attention. Vocal Part: Spoken. Five doors, primed for slamming, in a single hotel suite. Seeking 2 Actor Team for Spring . Lend Me a Tenor will have audiences teary-eyed with laughter. and Act I, Scene 2: "Oh that this too too solid flesh would melt"And from Macbeth, I'd look at Act II Scene 1: "Is this a dagger which I see before me? Take a look at our library of free monologues . temporary. The pacing is so fast and the lines so similar, that it's difficult to get the right words out at the right time.". Maggie. IBDB provides records of productions from the beginnings of New York theatre until today. (Throughout the play, the audience can see what's happening in both rooms at the same time.). He is nervously waiting for the very late Italian opera superstar, Tito Merelli, who is scheduled to sing Verdi's "Otello" for the company's 10th anniversary celebration that evening. I can't open sardines and answer the phone. Johnna Leary - "Lend Me A Tenor" Monologue - YouTube Maggie's Act 2 Monologue from LEND ME A TENOR Maggie's Act 2 Monologue from LEND ME A TENOR. Jane Summerhays and J. Smith-Cameron Photo: Martha Swope, Philip Bosco as Saunders - Jane Connell as Julia - Tovah Feldshuh as Maria Photo: Martha Swope, Lend Me A Tenor at the Theater in der Josefstadt in Vienna, Austria starring Otto Schenk, 2 Tony Awards - for Best Direction of a Play and Best Actor in a Play (Philip Bosco), 5 Tony Award Nominations including Best Play, 3 Outer Critics Circle Awards - for Best Set, Best Costume and Best Lighting Design, 4 Drama Desk Awards - for Outstanding Actor in a play (Philip Bosco), Best Costume Design, Best Director and Outstanding Featured Actress in a play (Tovah Feldshuh), Oliver Award for Comedy of the Year (nominee), A remarkable piece of theatre a masterpiece Author Ken Ludwig has verve, a sound grasp of plot mechanics and a rare ability to couple high art with low comedy.- The London Times, One of two great farces by a living writer.- The New York Times"Ken Ludwig's 1989 Tony-winning comedy is one of only two classic farces by a living playwright, the other being Michael Frayn's frenetic "Noises Off"- Daily News, The most inventive, original farce in a long time - Punch, A furiously paced comedy with more than a touch of the Marx brothers A marvelous combination of wonderful farcical moments and funny lines.- Time Out, Hilariously over the top.- The Manchester Guardian, Fills the theatre with the sound of laughter.- The (London) Sunday Express, Free flowing honest-to-goodness unforced farce.- New York Magazine, Its hilarious The funniest show on Broadway.- WNEW, "A rollercoaster of fun for everybody in the buildinga solid, constantly accelerating snowball of a comedy! End of the road. Still do the performance? Max is mistaken for Tito, and Tito is mistaken for Max by Saunders. The show opens in 1934 on an elegant Cleveland hotel suite as Henry Saunders, the manager of the local opera company, ascends into hysteria. Maggie is a fan of Tito Merelli, and hopes to meet him. [a] It's the biggest event in the Cleveland Opera's history. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . Audition Packets are available on the website. The title is a pun on "Lend me a tenner" (i.e., a ten-dollar bill). The two-room set has a sitting room with a sofa and chairs at right and a bedroom at left. When Saunders arrives, Max tearfully tells him that Tito is dead. But when he becomes incapacitated, it's up to meek and mild. 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